Dvorák composed four piano trios, and all of them are fine works. The very last, the so-called "Dumky" Trio, has eclipsed the others in popularity, which is a pity, particularly with respect to the Trio No. 3 in F minor. This work, composed at exactly the same time as the Seventh Symphony, is clearly the finest work of its type since Beethoven--and that includes the three trios of Brahms. Perfectly proportioned, emotionally intense, and chock full of incredible tunes, it grabs you from the first note and never lets you go. The Beaux Arts Trio performs all of this music with their customary musicality and expertise, and the "twofer" price in unbeatable. Now try that Trio No. 3--you'll be glad you did. --David HurwitzPrice: $17.98
Fingerstyle guitar legend Leo Kottke has released his share of duds over the years (virtually all of his albums with the exception of his seminal 6 & 12 String Guitar have a few throwaway tracks), but this disc is one of his most consistent efforts. Originally released in 1972, it features Kottke's trademark blend of playing--an infectious mix of New Age (still not invented at the time of this recording) and bluegrass sounds--as well as a few surprises. "Bean Time" has classic Kottke wizardry; it's a tune many proficient guitarists are still trying to figure out. "In Christ There Is No East or West" features Kottke on the 12-string, paying homage to his mentor, John Fahey. Sure, many of us could do without Kottke warbling through "Tiny Island" or "From the Cradle to the Grave," but this is still a great recording, loaded with some of the greatest playing to ever happen on acoustic guitar. --Jason Verlinde